Reviewing Bond Films: From the Living Daylights to Skyfall (Movies #392-399)

James Bond – 51 years and counting!

By 14 titles you’d start to wonder if a franchise had anything left in its tank. As each sequel gets released it becomes more susceptible of being branded as cliché, derivative and formulaic. But while it tends to stray towards mediocrity sometimes, I’d say the makers of the 007 films have done a great job in keeping the quality of James Bond films high and continuously entertaining the audiences after so many outings. In fact, the last three as of today are among my favorites. Before I get there though, let’s dial it back a bit.

The first few Bond films were classic. Sean Connery was the epitome of James, with his tall stature, dashing features and endless wit. People used to think of him as 007. Six actors and 50 years later, Bond has become less of a look and more of an identity. I’ve always kept an open mind while I watched the subsequent films in the franchise, and I realized that save for George Lazenby, everyone had me convinced with their performances. The last three actors I haven’t discussed yet, Timothy Dalton, Pierce Brosnan, and Daniel Craig, had very different styles and it influenced their movies greatly.

Dalton took the serious route, which surprised viewers during his time when The Living Daylights and License to Kill came out. Having replaced the tongue-in-cheek Roger Moore, his take was hugely contrasting and maybe people weren’t ready for that. Personally I found Dalton as having more charisma and drive than Moore, whose already weary look heavily affected his last movie, A View to a Kill. Despite that, Dalton’s two entries were still among the lowest-grossing out of the 23.

Meanwhile Brosnan managed to position himself as the modern representation of James in four outings: Goldeneye, Tomorrow Never Dies, The World Is Not Enough, and Die Another Day. He was definitely handsome enough for the role. He could pull off the jokes, the stunts and seems more invincible than the others. The biggest problem he had was Bond’s overreliance in CGI and special effects, but even that wasn’t his fault. Most of the story was very dependent on the use of gadgets and it took away some of the realism and emotional connection as I was watching his episodes. Goldeneye was the best, though it progressively became worse after that.

But then came the 21st century with Daniel Craig replacing Brosnan in 2006. He wasn’t too well received when he got casted because he didn’t match the original profile of 007. He surely proved skeptics wrong when Casino Royale was released and he showed off a grittier, rougher, and tougher image that nobody really expected. Like Craig his films were the most different, most engaging, and most human. Backed by a strong production overall, and being  advantaged by the fact that Royale was a restart to the franchise, the last three films by Craig in my opinion are among the best James Bond films of all time.

Ranking the most recent Bond films 15 to 23:

  1. 1.    Skyfall (2012) – A-
  2. 2.    Casino Royale (2006) – A-
  3. 3.    Quantum of Solace (2008) – B+
  4. 4.    Goldeneye (1995) – B
  5. 5.    The Living Daylights (1987) – B
  6. 6.    License to Kill (1989) – B-
  7. 7.    The World Is Not Enough (1999) – C+
  8. 8.    Tomorrow Never Dies (1997) – C+
  9. 9.    Die Another Day (2002) – C

Martin Campbell directed both Casino Royale and Goldeneye, two films that kickstarted an era anew. And I’m very glad the producers were able to maintain the quality of Royale until today unlike what happened a decade ago. The top three features Craig, while the last trio is Brosnan’s.

For the last time, listed below are the best in different categories:

Criterion: Story, action, bond girls, villain, theme, acting, opening credits, and overall entertainment value

Story: Casino Royale (runners-up: Skyfall, Goldeneye) – Ooh it was a close one, but I thought Casino Royale had a more cohesive and emotional story than Skyfall, which was compelling as well but is a bit scattered at times. Goldeneye had that ‘back from the dead’ factor that made things more exciting and engaging.

Action: Quantum of Solace (runners-up: Skyfall, Casino Royale) – When you end up being chased by everyone, even your own country, there’ll likely be more fighting involved. I really like the hand-to-hand combat and the locations used in the past three films. Sorry, but CGI is hardly exciting in this franchise.

Bond Girls: Casino Royale (runners-up: Skyfall, Goldeneye, Quantum of Solace) – I had to acknowledge four because it was so difficult to choose! But of course the best one would be Vesper Lynd (Eva Green). She was the only one who I sincerely believed was loved by Bond. And her character’s so mysterious and alluring and Green plays her so well. The others are Severine (Berenice Marlohe), the strong-legged Xenia Onatopp (Famke Janssen) and Camille Montes (Olga Kurylenko). Others would argue that Electra King (Sophie Macraeu) is a great bond girl. I’m not convinced.

Villain: Skyfall (runners-up: Casino Royale, Goldeneye) – Javier Bardem took villainy to cyberspace and acted like the Joker, causing a lot of chaos in Skyfall. While in Casino Royale, Mads Mikkelsen played around with bond’s naughty bits while he was naked. Meanwhile, Goldeneye had Sean Bean betraying his country alongside Onatopp. No wonder he always dies in his movies.

Theme: Casino Royale (runners-up: Skyfall, Quantum of Solace) – Craig’s films had their own niches. Royale had cards; Skyfall leaned on resurrection and memories of the past, while Quantum had everyone out on revenge.

Acting: Casino Royale (runners-up: Skyfall, Quantum of Solace) – Craig, Green, Mikkelsen, and Judi Dench had some very nice performances. In my opinion this was Craig’s best outing as bond, while it’s too close to call for Dench because of Skyfall. I really liked how the women acted the past few films.

Opening Credits: Quantum of Solace (runners-up: Skyfall, Casino Royale, Goldeneye) – for the longest time I had Skyfall as the best one, but after watching all openings once again I realized the effects were a little messy and it’s just incredibly helped by Adele’s Oscar-winning vocals. Jack White and Alicia Keys killed it in Quantum of Solace and K12, the designers, made it so beautiful from the rendering to the text effects. Casino Royale gets props for an awesome intro and a good utilization of its theme. And finally, the tune of Goldeneye is definitely one you won’t forget!

Overall Entertainment: Skyfall (runners-up: Casino Royale, Quantum of Solace) – On average, this is the best Bond era out of six, surpassing even Sean Connery’s. But among them, Skyfall is the most entertaining, with Casino Royale a close contender. The three films took entertainment to a whole new level, but what made Skyfall better was its execution. For starters, the cinematography is amazing, and I’m not one to take notice of that. Also, it reintroduced some of our favorite characters such as Q, Moneypenny, and even another M. They also finally talked about Bond and M’s past, something that was never explored and I enjoyed how they were able to use it to propel the story forward. These additional things allowed it to surpass a very good reboot (Casino Royale) and a hyper-charged installment (Quantum of Solace).

Finally, here’s my opinion of these films in a nutshell:

The Living Daylights: Dark, serious, and surprisingly refreshing

License to Kill: Breaking series conventions, Bond once again delivers with passing marks

Goldeneye: Despite some flaws, it’s a solid entry featuring great performances from the old and new

Tomorrow Never Dies: Features as many good moments as there is bad

The World Is Not Enough: Watchable but forgettable

Die Another Day: Starts out great, then gets bogged down with an overreliance of visual effects

Casino Royale: Even against 20 others before it, undoubtedly it’s one of the best

Quantum of Solace: Supercharged with action and a quest for revenge

Skyfall: Craig’s best bond film to date is also Bond’s

Reviewing Bond 8-15 (Movies #384-391)

I have to admit, the middle bond films starring Roger Moore didn’t really deliver in terms of story, but they have provided some of the more fun entries to the franchise. This was the era when everything was possible, with James performing stunts bordering on impossible. Yet with Moore’s charm and tongue-in-cheek portrayal of 007, it becomes tolerable…most of the time.

Surprisingly enough, the only film from 1973-1985 not to star Moore turned out as one of the best Bond films of the period: Never Say Never Again. With a 52-year old Sean Connery reprising James for the last time after his previous stint 12 years before, we got to see an ageing secret agent that is more intelligent and more human. The film itself wasn’t produced by Eon, meaning they had to make do without the same cast and themes. But the new opening sequence and actors accompanying the then-still charismatic Connery made things refreshing once again. It was a strong reminder that terms of performance, Sean is still the better Bond.

Much focus is still given to the characters in films 8-15. And while some of them weren’t all too necessary, there were some noteworthy performances that need to be highlighted later.

Ranking the Bond Films 8-15:

  1. 1.    The Spy Who Loved Me (1977) – B
  2. 2.    Never Say Never Again (1983) – B
  3. 3.    For Your Eyes Only (1981) – B
  4. 4.    Live and Let Die (1973) – B-
  5. 5.    Moonraker (1979) – B-
  6. 6.    Octopussy (1983) – B-
  7. 7.    The Man With a Golden Gun (1974) – C-
  8. 8.    A View To A Kill (1985) – C-

Most of them were good save two subpar entries (which were absurd, poorly-conceived and badly acted), but none of them were all that great. Listed below are the best ones per category.

Criterion: Story, action, bond girls, bond villain, theme, acting, opening credits, and overall entertainment value

Story: The Spy Who Loved Me (runners-up: Never Say Never Again, Live and Let Die) – reminds me a lot of ‘From Russia with Love’ in a sense that it’s the most complete bond adventure among others, featuring a great plot where ridiculousness is restrained to a minimum.

Action: The Spy Who Loved Me (runners-up: Moonraker, Live and Let Die) – the winner had multiple settings to its advantage. Moonraker benefits from its space theme while the last one had Bond jumping crocodiles. Farfetched but entertaining nevertheless.

Bond Girls: For Your Eyes Only (runners-up: Live and Let Die, Moonraker) – Interesting enough, when Bond’s women don’t have their libidos set at max I tend to like them more. As was the case for Carole Bouquet as Havelock in FYEO, a beautiful woman out for revenge, and does it alluringly. Solitaire (Live and Let Die) and Holly Goodhead (Moonraker) deserve special mentions too.

Villain: The Spy Who Loved Me (runner-up: Never Say Never Again) – this film introduced one of the funniest villains in Bond history – JAWS! Thunderball remake Never Say Never Again features Largo, played strongly by Klaus Maria Brandauer.

Theme: Never Say Never Again (runner-up: Moonraker, Live and Let Die) – An ageing Bond struggling to fulfill his mission is compelling and intriguing. Points were given to the runners-up for their unique offerings (outer space and New Orleans).

Acting: For Your Eyes Only (runner-up: Never Say Never Again) – Roger Moore and Carole Bouquet provide strong performances and they click more than the others. While in NSNA, Connery and Brandauer were equally good at being in each other’s throats convincingly.

Opening Credits: Never Say Never Again (runners-up: Live and Let Die, The Spy Who Loved Me) – Skips the conventional credit sequence and heads straight to Bond infiltrating a base to the tune of ‘Never Say Never Again’, as equally good as The Beatles’ ‘Live and Let Die’ intro.

Overall Entertainment Value: The Spy Who Loved Me (runners-up: Never Say Never Again, For Your Eyes Only) – The three films have their own reasons why they’re solid films. The first took two spies around the world. The second banked on a fresh take on Bond. While the last had a great lady accompanying him that pretty much stole the show. But if I had to rank them, I have to put The Spy Who Loved Me on top, probably the second best film out of the first 15 next to ‘From Russia with Love’.

To conclude, here are my quick thoughts on each film:

Live and Let Die: Dark twists make this episode interesting

The Man with the Golden Gun: Sadly, the title is all there is

The Spy Who Loved Me: Reintroduces concepts from previous films to create a complete bond adventure

Moonraker: As ridiculous as it is fun, it succeeds in launch but goes slightly off course by the end

For Your Eyes Only: A solid addition to the franchise featuring one of the best bond girls yet

Never Say Never Again: Connery’s back and brings Bond back to tip-top shape

Octopussy: Craziness at an all-time high

A View to a Kill: Features absurd action amidst uninspired performances

Stay tuned for my view on the final set of bond films starring Timothy Dalton, Pierce Brosnan and Daniel Craig!

Movie Review #354: Cowboys & Aliens

Lifeless Entertainment.

Big in concept but small in impact, Jon Favreau’s visualization of the sci-fi western showed sparks of something great, but ultimately it turned out to be a robotic and mediocre tale that couldn’t stand on its own. There’s a lack of character development in which even Daniel Craig has failed to save. There little room for back stories, which caused disconnect with me and the movie. I also didn’t like some of the elements in the story, especially Olivia Wilde’s role in it. Plus its inconsistent tone was confusing at times. It’s a bit disappointing because I really liked the setting and it felt like a missed opportunity.  And by the end it just felt empty and incomplete and I can’t really recommend it to anyone other than those who just want an average time waster.

GRADE: C

Movie Review #315: Skyfall [Christmas Day Review]

Craig’s best Bond film to date

It felt like I was watching The Dark Knight Rises when I went to see the 23rd installment of the iconic James Bond franchise. And to tell you the truth Skyfall was just as brilliant, if not more entertaining, as TDKR. That’s no small feat for sure.

In terms of story, action, villain, and cinematography, Skyfall is far better than Casino Royale and Quantum of Solace. In fact it had a different vibe altogether, making sure the film isn’t bogged down by the gadgetry and cars and focusing more on the characters, their motivations, strengths and weaknesses. I have to admit I never really cared about M or even Bond during the last two films but in this one they really got to me. All thanks to director Sam Mendes who saw the bigger picture and put the pieces all together; and of course with the help of powerful performances by Daniel Craig, the gorgeous Berenice Marlohe, Judi Dench, Javier Bardem and Ben Whishaw. The opening credits were superb as well, with Adele lending her voice for the title song. The movie is a benchmark for great sequels, something I wish Sony and MGM will remember and put into heart when making the next set of Bond films.

GRADE: A-